The Robert Burns Suite for Saxophone Quartet by Hugh Levey
SATB Saxophones
The suite is a four movement composition, based on the well-known Burns’ songs; My Love She’s But a Lassie Yet, Ye Banks and Braes o’ Bonnie Doon, The Deil’s Awa’ Wi’ the Exciseman, and Auld Lang Syne. Although Burns wrote the words of the songs, he set them to existing Scottish traditional tunes.
I: My Love She’s But a Lassie Yet (Lady Badinscoth’s Reel)
II: Ye Banks and Braes o’ Bonnie Doon (The Caledonian Hunt’s Delight)
III: The Deil’s Awa’ wi’ the Exciseman (similar to The Hemp Dresser)
IV: Auld Lang Syne (recital piece or to accompany solo or community singing)
The movements can be played separately but are presented here as a suite, with a suggested order. They are also available to purchase separately as individual pieces on SMP and at woodwindly.com. They are ideal pieces to play in Recital, for Burns and St Andrews Night celebrations, as well as other social occasions.
Movement 1 begins with a stately ‘classical’ arrangement of My Love She’s But a Lassie Yet, but as it develops the tune combines with another traditional melody, followed by some operatic quotations, and a five part fugue. It ends with an embellished restatement of the opening.
Movement 2 opens with gentle chords to accompany the soprano saxophone which plays the simple yet beautiful melody, Ye Banks and Braes. In the middle section, the Baritone leads with the Alto playing a counter melody. They are joined by the Soprano and Tenor playing playing in canon with them. The Soprano resumes the melody in verse 3 with slightly altered chordal accompaniment.
Movement 3 begins with Soprano and Baritone playing the tune and bass line, almost exactly as they appeared in The Scots Musical Museum, published by James Johnson & Co between 1787 and 1803. The other instruments all get the opportunity to play the melodic line in the ensuing 5 verses, as the arrangement gets more complex and fun. The composer makes great use of the tritone; or “devil’s interval” as it is often known because of its unsettling presence. However, in this arrangement it merely adds to the fun and excitement.
Movement 4 is a simple arrangement of Auld Lang Syne, in a key suitable for solo or community singing. After a short introduction by the Tenor Saxophone, the Soprano and Alto play verse 1 accompanied by ‘bagpipe’ drones. The final verse is in majestic four part harmony to bring a rousing end to this popular Burns song and the suite.
Score: 28 pages
Parts: 35 pages
Movement 1
Movement 2
Movement 3
Movement 4
SATB Saxophones
The suite is a four movement composition, based on the well-known Burns’ songs; My Love She’s But a Lassie Yet, Ye Banks and Braes o’ Bonnie Doon, The Deil’s Awa’ Wi’ the Exciseman, and Auld Lang Syne. Although Burns wrote the words of the songs, he set them to existing Scottish traditional tunes.
I: My Love She’s But a Lassie Yet (Lady Badinscoth’s Reel)
II: Ye Banks and Braes o’ Bonnie Doon (The Caledonian Hunt’s Delight)
III: The Deil’s Awa’ wi’ the Exciseman (similar to The Hemp Dresser)
IV: Auld Lang Syne (recital piece or to accompany solo or community singing)
The movements can be played separately but are presented here as a suite, with a suggested order. They are also available to purchase separately as individual pieces on SMP and at woodwindly.com. They are ideal pieces to play in Recital, for Burns and St Andrews Night celebrations, as well as other social occasions.
Movement 1 begins with a stately ‘classical’ arrangement of My Love She’s But a Lassie Yet, but as it develops the tune combines with another traditional melody, followed by some operatic quotations, and a five part fugue. It ends with an embellished restatement of the opening.
Movement 2 opens with gentle chords to accompany the soprano saxophone which plays the simple yet beautiful melody, Ye Banks and Braes. In the middle section, the Baritone leads with the Alto playing a counter melody. They are joined by the Soprano and Tenor playing playing in canon with them. The Soprano resumes the melody in verse 3 with slightly altered chordal accompaniment.
Movement 3 begins with Soprano and Baritone playing the tune and bass line, almost exactly as they appeared in The Scots Musical Museum, published by James Johnson & Co between 1787 and 1803. The other instruments all get the opportunity to play the melodic line in the ensuing 5 verses, as the arrangement gets more complex and fun. The composer makes great use of the tritone; or “devil’s interval” as it is often known because of its unsettling presence. However, in this arrangement it merely adds to the fun and excitement.
Movement 4 is a simple arrangement of Auld Lang Syne, in a key suitable for solo or community singing. After a short introduction by the Tenor Saxophone, the Soprano and Alto play verse 1 accompanied by ‘bagpipe’ drones. The final verse is in majestic four part harmony to bring a rousing end to this popular Burns song and the suite.
Duration: 8’ to 10’
Programme and Performance Notes: 1 pageScore: 28 pages
Parts: 35 pages
Movement 1
Movement 2
Movement 3
Movement 4
Product Code: WW-023-SX4
Brand: Woodwindly
Product Condition: New
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